Walls of the Taj Mahal develop cracks

A tour of the Taj Mahal

Lonely Planet author Sarina Singh gives an interesting tour of the beautiful, architectural marvel of India, the Taj Mahal.

Top 10 picks: The greatest architecture of the past 1,000 years

What are the most significant, most beautiful, or most interesting buildings of the past 1,000 years? Some art historians choose the Taj Mahal, while others prefer the soaring skyscrapers of the 20th century. There is no single correct answer. Perhaps the most innovative buildings are not grand monuments, but obscure homes and temples. In this quick list, we'll take a whirlwind tour through time, visiting some of the most popular buildings ... and a few forgotten treasures.

1. 1137 : St. Denis Church in Saint-Denis

During the middle ages, builders were discovering that stone could carry far greater weight than ever imagined. Cathedrals could soar to dazzling heights, yet create the illusion of lace-like delicacy. The Church of St. Denis, commissioned by Abbot Suger of St. Denis, was one of the first large buildings to use this new vertical style known as Gothic. The church became a model for most of the late12th century French cathedrals, including Chartres.

More: St. Denis Church

2. 1205 - 1260 : Chartres Cathedral Reconstruction

In 1194, the original Romanesque Chartres Cathedral in Chartes, France was destroyed by fire. Reconstructed in the years 1205 to 1260, the new Chartres Cathdral was built in the new Gothic style. Innovations in the cathedral's construction set the standard for thirteenth century architecture.

More: Chartres Cathedral

3. 1406 - 1420 : The Forbidden City , Beijing

Occupying a rectangular area of more than 720,000 square meters, the Forbidden City was the imperial home of 24 emperors of the Ming (1368-1644) and Qing (1644-1911) dynasties. The Forbidden City is one of the largest and best-preserved palace complexes in the world. There are over a million rare and valuable objects in the Museum.

More: The Forbidden City

4. 1546 and Later : The Louvre, Paris

In the late 1500s, Pierre Lescot designed a new wing for the Louvre... and popularized ideas of pure classical architecture in France. Lescot's design laid the foundation for the development of the Louvre over the next 300 years. In 1985, architect Ieoh Ming Pei stirred great controversy when he designed the stark glass pyramid entrance to the palace-turned-museum.

More: The Louvre

5. 1549 and Later: Palladio's Basilica, Italy

During the late 1500s, Italian Renaissance architect Andrea Palladio brought new appreciation for the classical ideas of ancient Rome when he transformed the town hall in Vicenza, Italy into the Basilica (Palace of Justice). Palladio gave the remodeled building two styles of classical columns: Doric on the lower portion and Ionic on the upper portion. Palladio's later designs continued to reflect the humanist values of the Renaissance period.

More: Palladio's Basilica

6. 1630 to 1648 : Taj Mahal, India

According to legend, the Mughal emperor Shah Jahan wanted to build the most beautiful mausoleum on earth to express his love for his favorite wife. Or, perhaps he was simply asserting his political power. The Taj Mahal may have been designed by Ustad Ahmad Lahori, an Indian architect of Persian descent. Persian, Central Asian, and Islamic elements combine in the great white marble tomb. The Taj Mahal is just one of many architectural wonders in a land of majestic tombs and erotic temples.

More: The Taj Mahal

7. 1768 to 1782 : Monticello, Virginia, USA

When the American statesman, Thomas Jefferson, designed his Virginia home, he combined the European traditions of Palladio with American domesticity. Jefferson's plan for Monticello resembles Palladio's Villa Rotunda ... With a few innovations. Jefferson gave Monticello long horizontal wings, underground service rooms, and "modern" conveniences.

More: Monticello

8. 1889 : The Eiffel Tower, Paris

The Industrial Revolution in Europe brought about a new trend: the use of metallurgy in construction. Because of this, the engineer's role became increasingly important, in some cases melding with or rivaling that of the architect. The Eiffel Tower is the tallest building in Paris, and reigned for 40 years as the tallest in the world.

More: The Eiffel Tower

9. 1890 : The Wainwright Building, St. Louis, Missouri

Louis Sullivan and Dankmar Adler redefined American architecture with the Wainwright Building in St. Louis, Missouri. Their design emphasized the underlying structure. Except for the large, deep windows, the first two stories are unornamented. Uninterrupted piers extend through the next seven stories. Intertwined ornaments and small round windows form the upper story. "Form follows function," Sullivan told the world.

10. Great Buildings of the 20th Century

During the twentieth century, exciting new innovations in the world of architecture brought soaring skyscrapers and fresh new approaches to home design. Keep on reading for Top Picks of the modern age.

More: 20th Century Giants

(via About.com)

Taj Mahal, Mumbai: A monument to love

The 1880s and 1890s were a time of great construction in Bombay. The Grand Victoria Terminus was built, and after it the Municipal Corporation building, another beautiful structure, followed by the Churchgate headquarters of the B.B. & C.I. Railways (now Western Railways). But there was no hotel worthy of the growing city.

Being an ardent fan of Mark Twain, Jamsetji Tata may have read of the writer’s fate in the so-called ‘best’ Watson’s Hotel: Mark Twain and his family were roused every morning at dawn by doors slamming, servants shouting, and “fiendish bursts of laughter, explosions of dynamite.” The Irish chef at the hotel was apparently more conversant with the French language that with French cooking, “serving up Irish stew on 14 occasions under 14 different French names.” Sir Stanley Reed, Editor of The Times of India, said Jamsetji had an intense pride and affection for the city of his birth, and when a friend protested against the intense discomforts of hotel life in Bombay, he growled: “I will build one.”

One day without consulting anybody, not even his sons or partners, he announced his plan to build a grand hotel. It was his personal contribution and money he was putting in — not that of Tata & Sons. Along the present Yacht Club at Apollo Bunder was a little bay where yachts used to scull. The British were reclaiming the land and he bought a substantial site of two-and-a-half acres on November 1, 1898 on a 99-year lease. There was no formal laying of a foundation stone but a traditional coconut was broken and a Parsi diva (oil lamp) was lit, perhaps by the well or spring between the present swimming pool and the lifts. This ceremony took place in 1900.

Many an interesting story is invented round the Taj being designed by an Italian/French architect who, after his exertions, went home and returned to find the building was put the wrong way around — what should have been in the rear was in front and vise versa. Heartbroken he went to the top floor of the Taj and flung himself out of the window. Dramatic! Touching! But not true. As anyone who stayed at the then-non-air-conditioned Taj in the summer would attest, the late afternoon breezes that blow across Colaba do not spring up from the harbour but sweep in from across Back Bay. The U-shaped wings of the hotel were positioned to trap this breeze and extract the most benefit.

Indeed, the necessity to draw whatever relief there might be from the torrid heat of western India was certainly the inspiration behind the hotel’s two most original features. At the time, the clientele Jamsetji expected was from abroad and his endeavour was to make the hotel as cool as possible. Thus it had high ceilings and wide corridors, which would be conducive to air circulation. Furthermore, the Wellington Mews — another property Jamsetji bought — behind the hotel site was where the horses and carriages were housed and these could roll in directly from the west side.

One convincing explanation comes from the daughter of a Goan customs officer, Francis Xavier D’Mello, who was stationed in the customs shed at Apollo Bunder and witnessed the Taj rising stone by stone: “Jamsetji Tata came regularly to watch his great hotel being built. The customs shed provided the only shelter from the blazing sun, so Mr. Tata used to come there and have long chats with my father. Once my father asked him why he had put the entrance to the Taj at the back, and Jamsetji told him that he wanted the majority of his hotel guests to have rooms overlooking the sea. Jamsetji surely had some hand in his broad instructions to the architect.”

Sadly, having designed the Taj along with a Parsi architect under Jamsetji’s instructions, Sitaram died of malaria. The dome designed on the model of the Victoria Terminus (now Chhatrapati Shivaji Terminus) had not been built. W.A. Chambers was called to help. Khansahib Sorabji Contractor built the solid structure.

The prospectus for the hotel to be underlined some salient features: “The Hotel, when completed, will be five storeys high, and will accommodate, beside hotel boarders to the number of 500, a number of permanent residents. Immense cellars, below the ground floor level will contain the refrigeration plant, which will cool the rooms of the inmates, and will also enable their food to be stored in a manner foreign to India. The ground floor will be occupied by the offices, first-class restaurants, and shops for the sale of articles generally desired by travellers. The first floor will be mostly taken up with a grand dining room, drawing room, reading rooms, billiard room, and a few grand suites, all provided with electric fans. The second, third, fourth and fifth floors will contain bedrooms, mostly double and furnished in the Continental style with sofa, tables and chairs, and other furniture, and on each floor bathrooms and lavatories. The kitchens etc., will be on the top of the house with a roof garden. The Hotel will be lighted throughout with electric lights, and many lifts, also worked by electricity, will convey residents from floor to floor with comfort. A Turkish bath will also be fitted up in the Hotel.”

Jamsetji personally went to order the electrical machinery from Dusseldorf and chandeliers from Berlin. Furthermore, he made sure that if by chance electricity failed, a back up system of gas lights was at hand. There was the in-house soda bottling plant, an electric laundry, fans from the USA — and the first spun-steel pillars from the Paris Exhibition where the Eiffel Tower was then the latest wonder of the world. These pillars, a hundred years later, hold up the ceiling of the Banquet Hall.

For all his projects Jamsetji got the costing done thoroughly but not for the Taj. It was his gift to the city he loved — as the Taj Mahal of Agra was Shah Jahan’s memorial to the woman he loved. It cost about Rs. 25 lakh. When the hotel opened, it had a large staff of waiters but only seven guests. It was Bombay’s first public building to be lit by electricity and when it happened, those present outside clapped as they saw it lit.

As if such a grand edifice was not enough, he purchased two small islands near Uran called Panjoo and Dongri so that the guests at the Taj could go on picnics.

Jamsetji wanted to lease out the Taj to an experienced European hotelier. The plans fell through and finding the staff and running the hotel was to fall initially on him in 1902 and later on his partners and colleagues. The Gateway of India came up only in 1924 to commemorate the visit of King Emperor George V and Queen Mary in 1911. Before that at the Gateway site, sahibs used to sit at tables sipping burra and chotta pegs.

Perhaps, says Allen and Dwivedi (who have done research on the Taj), Jamsetji believed in starting a new venture on an auspicious date, Muhurat as it is called. It was decided to open the hotel on December 16, 1903, before the building was complete. Only one wing was ready and the dome had not been completed. A study of Jamsetji’s medical reports of the late-1903 shows his health was deteriorating. His sons and colleagues may have decided to speed up the opening so he could have the satisfaction of seeing at least one of his dreams come true. Steel, the hydro-electric venture, and the Indian Institute of Science came up after his death.

Five months after the Muhurat, when Jamsetji died, a leading journal of Calcutta, The Empress, wrote in the obituary: “The new hotel represented, to Mr. Tata, something more than a mere commercial venture, and he had determined that the Taj Mahal Hotel should set an example, which should re-act throughout India, in removing one of the greatest hindrances to agreeable travel in this country. The plans were drawn with the sole purpose of securing an entirely worthy building, and he looked for no immediate financial returns. There is something peculiarly saddening in the coincidence that the fixing of the key-stone of the noble dome should have preceded, but only a few days, the death of the man who inspired it.”

The lives of the clientele, which was mainly British, revolved round news from home. The P. & O. brought the mail every Friday morning and left every Saturday evening. The London GPO’s largest single destination was mail for India. It was rushed from London, sorted out between Aden and Bombay and special bags delivered within an hour of the arrival of the steamer. Saturday was spent in answering letters. The Sea Lounge at the Taj was created as a letter-writing room and by special arrangement mail from the Taj was directly delivered to the ship.

In years to come, world-renowned personalities have stayed there, from Somerset Maugham and Duke Ellington to Lord Mountbatten and Bill Clinton. The hotel was featured in a hundred books, including Louis Bromfield’s One Night in Bombay, which is centred on the Taj.

The maharajas become the great patrons of the Taj and invited the hotel to do special catering in their states. The Chamber of Princes was to meet there regularly every January — hence the ‘Princes’ Room’ at the southern end of the Taj. The business maharajas were to follow next; today the Taj is the most sought after venue for wedding receptions, and one can frequently see fire crackers being let off at the gate as the bridegroom’s party dances merrily away.

As there was no Gateway of India for 20 years after the Taj came up, the hotel offered the first view of the city to ships sailing into the harbour until 1924. Even now, with many more tall buildings on the skyline, the hotel engages immediate attention. It is a symbol of Mumbai.

(via The Hindu.)

We at Snowcem Paints salute the brave men who laid down their lives for our nation in wake of the ghastly Mumbai terror attacks, and extend our heartfelt condolences to the families of the innocent victims. God grant them eternal peace.

Architecture of the Taj Mahal